2. Copyright the music and get it to all the social medias for automatic DCMA goodness
3. Play the album in all precincts, courthouses, squad cards, prisons, public offices, social disturbances-- like background Musak- or Waffle House music. Hell if they make it corny enough, maybe people will play it for the police. For the lulz.
4. Contract out a third party to pursue DCMA takedowns of anything left behind
5. Use the National Intellectual Property Rights Coordination Center task force for special abusers
Ok-- got a little carried away, but there's still a lot of potential here.
Your parent comment has nothing to do with the behavior that got Prenda sanctioned, which was representing themselves to the court as a third-party law firm retained by the copyright owner when in fact they were the first-party copyright owner themselves.
I have never understood why anyone viewed what happened to Prenda as a victory against copyright trolling. Prenda was a group that engaged in blatant, abusive copyright trolling, yes. And the official opinion of the legal system is that that was fine, and other people should keep doing it.
If every police station and cop car in the country exclusively streamed this album, they could probably generate a decent amount of money from Spotify/Apple/YTmusic.
I tried doing something similar a while back, I made tracks with white/brown/pink noise to stream while you study or sleep called DonateYourStreams, with all the money going to nonprofits like Watsi & charity:water. Unfortunately DistroKid thought that was a ToS violation and disabled my account.
If music is playing in a public area then it logically shares the same right to record as photographing someone in public. The infringement lies on the side of the person playing a licensed song in a public venue
Or with current copyright crap, you could also record a whole bunch of common noises you hear in public, nature ect, upload to YouTube as ambient sound effects then go after “infringers” who have a sound clip in their video which is more than 90% similar to yours.
It doesn't matter if the content is actually fair use since the content will just be taken down anyways with little opportunity for appeal because it's YouTube.
A bigger hurdle for the police department is the 1st amendment suits a systemized program would attract.
Fair Use is an affirmative defence against copyright infringeement. That is, its effective power is used in a court of law as an argument in defence against a criminal or civil copyright complaint.
Hm. Gotta have faith in the algorithm. If that fails then maybe add to the list to make a phone call so you can go after them criminally for wiretapping.
Maybe it goes both ways. Maybe you can get Mickey Mouse tattooed on your forehead Manson style and you won't show up on mugshot sites due to DMCA takedowns.
It's ironic because in some countries (e.g. Germany) the police would possibly liable to pay fees to the copyright agencies (GEMA in Germany) because playing the music could be considered a public performance of copyrighted work.
> Broadly speaking, this includes any presentation of music outside of a domestic setting. For example, it will include using music in the following ways as part of your business or organisation (for the benefit of customers and/or employees): playing recorded music via any device, including the radio; showing TV broadcasts, or other audio-visual content, containing music;
They also have an international collections department so I would advise the U.S. Cops against using music from the UK!
ASCAP doesn't take kindly to unlicensed public performances, and I imagine they would love to shake down police departments with deep pockets for licensing fees. There might even be a reward for the person who informs them about it.
The real problem is that the officer should be sued by the boss of his boss, because is doing a huge damage in the public image of every policemen. If is not happening, this means that they don't care and that the risk for every other officer in the streets has increased (If policemen can break the law, everybody can as long as is not caught doing it). This is wining a stupid battle to lose the war on trust.
> Now I can post any song on Youtube, as long as the backing video is Rodney King.
This is brilliant. I can see people starting to replace the song by a similar melody and the lyrics by 'I can't breath' and the names of 100% proven innocent people killed by police sung in a loop. Probably not on youtube, but easy to browse
Make a check box on upload or video settings that says "Is this a video of cops being dicks?" If checked, it bypasses the Content ID if the new AI/ML trained 'Cop Detector 5000' verifies cops are present in the video. Coming soon, captcha asking you to find all images with police.
> Is this not a serious enough obstruction as to be deemed illegal?
Seems to be a pretty clear conspiracy against rights and deprivation of rights under color of law, actionable criminally under 18 USC Sec. 241 and civilly under 42 USC Sec. 1983.
By who? You really think a corporation is going to sue police for playing music?
That would risk copyright laws being opened up further…benign neglect will rule the day here, bad faith actors rely on everyone else being to afraid to call them on their BS.
Because cops will use whatever absurdities they can find. Which is the bigger problem: frivolous copyright enforcement, or police abuse of power? Why would you focus on the first rather than the second?
Nah, better to stick ads up front, send a little money to the copyright holder and pocket the rest. I mentioned in another comment also that you'd need to use the song to make the pattern for the noise cancellation. So I wonder if the copyright holder could still claim usage and ask for a payout making that more expensive than just dropping.
Remove the allegedly infringing music, with a notice that audio has been filtered due to copyright claim, unless the uploader permits a revenue passthrough / share with the copyright claimant.
(This still doesn't address the issue of erroneous claims, e.g., the Adam Neely / Kate Perry fraudulent claim, but it does mean that neither YT/Google nor the claimant automatically profit by the appropriation of another's work and audience-development.)
Really this police officer should be charged criminally as well... with intentional copyright infringement.
Someone else elsewhere in this thread is citing some civil rights statute, but the idea of charging with copyright infringement is just... amusing. If only prosecutors didn't hate charging cops.
This is incorrect (in the normal civil context), as discussed elsewhere in this thread.
But also, I'm suggesting criminally charging the individual officers, not the government. Police officers are not generally immune to criminal laws, so citation requested that they would be in this instance (it is possible, there are certainly some weird exceptions in the law for LEO, but I'm not aware of one here).
States indeed have sovereign immunity from copyright lawsuits:
> On March 23, 2020, the Supreme Court held that the provisions of the Copyright Act subjecting states to liability for infringement did not validly abrogate states’ sovereign immunity from suit. As a result, copyright owners suffering infringement by state entities cannot seek the remedies provided by the Copyright Act.
Police are typically city or county (latter are sheriffs in most states). Not specifically state government in those cases. There are state police, and usually, state highway patrol.
In that context, this action as described in the article would itself be an interesting counterargument to the SCOTUS decision / Library of Congress Copyright Office finding.
And that's actually fine, because sheriff is an elected office. The good citizens of Alameda County voted for a sheriff who enables warrior cops, they get to pay for the cops' actions because they support the state of affairs.
Presented with no comment, the part of the article about the alameda county sheriff:
> The Alameda County Sheriff's Department has learned from this Streisanding, and has since made it official policy to forbid the playing of copyrighted content for the sole purpose of thwarting the recording of officers by members of the public.
What pool of candidates is the sheriff allowed to be elected from?
In many counties the candidates for sheriff must be active employees of the department or similar, making for an extremely narrow pool of candidates with plenty of opportunity for the incumbent to make their competitors ineligible to run.
Anyone filing a valid candidacy application can run for the office in Alameda County (or in California AFAIU, where the state Secretary of Sate defines qualifications).
It's not even clear to me that there is an minimumm age requirement for municipal or state office. There are a set of petition and/or filing-fee requirements.
Alabama is a state in which I might expect more stringent requirements to be in place. Those are: 18+ years of age, 1 day+ state residency, 1 day+ US citizen, and registered voter. Terms are 4 years, with no limit on terms served.
> the candidates for sheriff must be active employees of the department or similar
Who made these inane rules? At the end of the day, if a county goes bankrupt for enacting stupid measures, it's on its citizens. Especially if they didn't even bother voting.
Even for those obsessed with the primacy of market forces to solve all things, counting on them to solve bad police sounds...well, I can't really say how that sounds on HN, because the moderation is too good here. :)
It doesn't surprise me it's Alameda Sheriff's department.
They have one requirement besides a GED, and it BDS (big, dumb, stupid).
They are known for doing stupid stuff around the country.
I grew up with the guy who runs the Coroner's a office, and literally thought he was developmentally disabled.
(CA decided to nix voted in Coroners a few years ago, and replaced all with cops to save money. A Coroner is an executive position. Needs no training. In Marin County, we had a great Coroner, who was a medical doctor, for years.)
There is software like Spleeter [1] that can split songs into stems (seperate drums, vocals, rhythm, etc.) using ML. I imagine it would be possible to adapt it for this. Might even work as-is if you only needed to isolate people's voices.
Adding audio is much easier than subtracting audio from a recording when said audio is distorted by imperfect speakers and recorded by imperfect microphones and has who knows what other background noises mixed in.
Said denoiser could easily destroy the audio your looking to preserve, and the altered audio is not good quality evidence of the events that occurred.
I actually just mapped it out in my business ideas note folder and yeah. I don’t see how you can build a decent tool for this job without having copies of the actual waveforms requiring some form of commercial license, however it would not need to be a performance license which seems to be the thing the publishers are most familiar licensing. So I’m not sure if this would make the process easier or harder but I definitely don’t see how they can argue the rights to use but not play the music are more valuable so they should in theory be cheaper than the sort of price iTunes and Spotify are paying per track.
It should be part of the YouTube post-upload processing. You find another YouTube link of the offending music, it syncs the two audio tracks, and removes from your upload.
> On March 23, 2020, the Supreme Court held that the provisions of the Copyright Act subjecting states to liability for infringement did not validly abrogate states’ sovereign immunity from suit. As a result, copyright owners suffering infringement by state entities cannot seek the remedies provided by the Copyright Act.
> On March 23, 2020, the Supreme Court held that the provisions of the Copyright Act subjecting states to liability for infringement did not validly abrogate states’ sovereign immunity from suit. As a result, copyright owners suffering infringement by state entities cannot seek the remedies provided by the Copyright Act.
> On March 23, 2020, the Supreme Court held that the provisions of the Copyright Act subjecting states to liability for infringement did not validly abrogate states’ sovereign immunity from suit. As a result, copyright owners suffering infringement by state entities cannot seek the remedies provided by the Copyright Act.
I'm curious: is there a fair use argument for videos recording police activity in which the officer plays copyrighted music? I understand the intent is to trigger auto takedowns via something like ContentID, but beyond that would you be in the right, legally speaking, for uploading?
They’re just banking on the fact that a human will never review for fair use. You would absolutely be in the right, but YouTube doesn’t care and won’t reinstate your video.
I wish the copyright police would sue these police for an unlicensed public performance.
Police got a lot more $$ than some teenage dowloading - sort of 'Law of unintended consequences = ON' and lots of witnesses = slam dunk that many judges would love to slam.
Unfortunately, the way the legal system works in practice, no one interested in using the legal system the way copyright enforcers are would antagonize the police this way.
Yes, there is a need to return to the origins of copyright, to allow creators to profit from their work. If not profitable, a renewal fee every ~~5 years after an initial 25 year copyright, would allow works that do not earn enough to justify the renewal fee = public domain. If the work earned a lot, the creator would be incented to renew a few time, say for 5 renewals.
I do not like the current bought and paid for renewal fee, AKA Disney law = 105 years - and counting...
I've no idea about legal standing here but if someone, in this case a police officer, is doing this to cover up criminal behaviour wouldn't that count as attempting to pervert the course of justice or is that just a UK thing?
Seems like if you get a copy of the song yourself, stripping it out of a video ought to be an easyish technical problem, no? Maybe even solved already?
Somewhat related where states were found to be immune if they infringe copyrights unless Congress finds an issue and rewrites the laws to allow private lawsuits against the states.
At that point the audio is unauthentic, and the point of having a public video is diminished (if not eliminated) - we’re undoubtedly Rapidly approaching this problem. As deep fakes improve, no one is going to trust video.
The point of a public video is to get clicks and influence public opinion, and neither of these are harmed by altering the audio. In court, you can play the original.
True. If the recorder is truly interested in conveying the video, they could redub narration. Maybe someone should provide a service to remove music and boost voices in a video?
1. Record an album
2. Copyright the music and get it to all the social medias for automatic DCMA goodness
3. Play the album in all precincts, courthouses, squad cards, prisons, public offices, social disturbances-- like background Musak- or Waffle House music. Hell if they make it corny enough, maybe people will play it for the police. For the lulz.
4. Contract out a third party to pursue DCMA takedowns of anything left behind
5. Use the National Intellectual Property Rights Coordination Center task force for special abusers
Ok-- got a little carried away, but there's still a lot of potential here.