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On the other end, save Inland Empire for after you've seen a lot of his filmography and are in the mood for a challenge.

I wouldn't call it his best work, but it is Lynch at his most singular and uncompromising.



I would put Twin Peaks: The Return up there too. Beneath the trademark surrealism and whimsy there’s an intense, bittersweet profoundness.

It was the last thing he made for TV/cinema and for me feels like the culmination of everything he did before it.


> Lynch at his most singular and uncompromising

More so than "Eraserhead"?


The Sekiro of Lynch movies. I was defeated by the first dance routine.




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