(1) "I like Louis! Anything he does is all right....That's Bobby Hackett, too; I always did like Bobby Hackett - anything by him. Jack Teagarden's on trombone. I'd give it five stars." September 1955, on Louis Armstrong's _Ain't Misbehavin'_
(2) "I don't know who that was, Leonard. Sounds good in spots, but I don't like that kind of trumpet playing....It's a good little number except for that interlude and that tired way of playing trumpet. I'll give that three stars." August 1958, on Don Elliott and Rusty Dedrick's _Gargantuan Chant_
(3) "Clark Terry, right? You know, I've always liked Clark. But this is a sad record. Why do they make records like that? With the guitar in the way, and that sad...piano player. He didn't do nothing for the rhythm section - didn't you hear it get jumbled up? All they needed was a bass and Terry." June 1964, on Clark Terry's _Cielito Lindo_
(4) "I don't dig that kind of , man, just a straight thirty-two bars, I mean whatever it is....It's formal, man, and scales and all that....No kind of sound, straight sound - no imagination. They shouldn't even put that out....Freddie's a great trumpet player....if he's directed, because he must have other imagination, other than this. I wouldn't even put that on a record." June 1968, on Freddie Hubbard's _On the Que-Tee_
(1) "I like Louis! Anything he does is all right....That's Bobby Hackett, too; I always did like Bobby Hackett - anything by him. Jack Teagarden's on trombone. I'd give it five stars." September 1955, on Louis Armstrong's _Ain't Misbehavin'_
(2) "I don't know who that was, Leonard. Sounds good in spots, but I don't like that kind of trumpet playing....It's a good little number except for that interlude and that tired way of playing trumpet. I'll give that three stars." August 1958, on Don Elliott and Rusty Dedrick's _Gargantuan Chant_
(3) "Clark Terry, right? You know, I've always liked Clark. But this is a sad record. Why do they make records like that? With the guitar in the way, and that sad...piano player. He didn't do nothing for the rhythm section - didn't you hear it get jumbled up? All they needed was a bass and Terry." June 1964, on Clark Terry's _Cielito Lindo_
(4) "I don't dig that kind of , man, just a straight thirty-two bars, I mean whatever it is....It's formal, man, and scales and all that....No kind of sound, straight sound - no imagination. They shouldn't even put that out....Freddie's a great trumpet player....if he's directed, because he must have other imagination, other than this. I wouldn't even put that on a record." June 1968, on Freddie Hubbard's _On the Que-Tee_