I'm not that familiar with museum design or their funding mechanisms, but for logistical purposes, sometimes if you want a lot of foot traffic in your building, you make people navigate around to see the "crown jewels" so-to-speak which forces/exposes them to other items of interest you want to "sell" (taxpayers, government, private market...).
If you need to count beans for some government funding agency to justify your budget, this is a way to inflate bean count and prop up underperforming aspects. As long as it's a situation that isn't incredibly wasteful and done in good taste, I support it--though this is of course highly subjective.
If you break that number up so it's easier to see why people visit (e.g., separating the Mona Lisa), it may inadvertantly give justification to cut funding to the other aspects in many modern mindsets. Mixing the artworks up artificially inflates other works foot traffic that, I would argue, is a positive form of trickery for society (preservation and education of the arts, something important and often underfunded).
Museums that attract a lot of tourists are geared towards moving people in and out as fast as possible. The longer they are in the house the fewer tickets you can sell.
Milk is in the back because they have to maintain the cold chain, and the refrigeration is in the back. Putting it anywhere else risks spoilage if a pallet takes too long to unload or gets left unattended.
If you need to count beans for some government funding agency to justify your budget, this is a way to inflate bean count and prop up underperforming aspects. As long as it's a situation that isn't incredibly wasteful and done in good taste, I support it--though this is of course highly subjective.
If you break that number up so it's easier to see why people visit (e.g., separating the Mona Lisa), it may inadvertantly give justification to cut funding to the other aspects in many modern mindsets. Mixing the artworks up artificially inflates other works foot traffic that, I would argue, is a positive form of trickery for society (preservation and education of the arts, something important and often underfunded).