The whole Epstein-Saga from the victims, the scale of operations, to the sheer range of people he connected from Gates, to Bannon to German Newspaper Editor-In-Chiefs, makes Berlusconis Bunga Bunga parties seem wholesome and decent.
Or it could be just the good old cyclical stock market correction after years of entire segments of the indecies growth being purely driven by software.
Of course such an angle would require much more research on behalf of the journalists for much less spotlight than what you would get for free by just singing to the tune of AI-doomerism.
I like that the pictures are taken by government employees instead of the graffiti writers themselves nor by fans of graffiti.
Because of that the pictured artworks look much less nice, and the images can capture what 99% of the artworks actually provide to their surroundings: dismay, disregard, and a constant reminder that urban anonymity is a moloch that you can enjoy watching from a coffee shop’s window, while it pisses in a baby stroller.
Exactly. These numbers don’t seem that impossible if one considers that the state‘s force rests upon (enough) ideological support within society. Given that, the distribution of regime supporters will be rather even across the country, and therefore sending in death squads wont mean bussing them in from Teheran but rather sourcing them locally.
He doesn’t need a list of people he can quote for his observation to be true.
And it’s not far fetched either: With a state‘s power structure ultimately resting upon (enough) support from society, there is an implicit legitimacy assumed in their actions.
The same can not be said about mass executions of citizens by an invading foreign power structure. Which is why you see the typical propaganda rush to make the victims look like perpetrators.
> Graffiti is a population's expression of ownership of their city.
Is of course what art-students, pol-sci and social-sciences majors construct out of it because it fits their narratives. Never mind that the scratching of some roman soldier in a brothel's restroom has nothing to do at all with the NYC-born graffti culture. This top-to-bottom social astro-turfing would be just laughable grandstanding if it didn't result in real consequences for less affluent kids: crime, drugs, and deadly injuries as well as filing for bankrupcy at an age where Mrs. cultural-capital has acquired her prestigous arts degree.
I was thinking that too, it feels remarkably out of touch. People own the builds, homes, and businesses. If you're graffiting someone's business you're a tourist in the city, not an owner. Even from a philosophical perspective this makes no sense, because it claims the tourists hold ownership over someone else's city because they bought a can of spray paint while living in their parents basement
> This top-to-bottom social astro-turfing would be just laughable grandstanding if it didn't result in real consequences for less affluent kids: crime, drugs, and deadly injuries as well as filing for bankrupcy
We were discussing graffiti.
You seem to know a lot better than less affluent people what's good for them. When you talk to such people, what do they tell you about crime, drugs, deadly injury, and filing for bankruptcy? When you've talked to graffiti artists, what led you to believe they were doing it so as to cause crime, drugs, deadly injury, and bankruptcy?
> You don't want to fine, jail or otherwise ruin the lives of thousands of kids to get them to stop.
Oh yes, you want to (with an asterisk). As a former Graffiti writer myself I can speak from experience that the judge will be the first person in those kids life taking their actions seriously, giving them any sort of guidance.
Better spend a couple of hours per month doing social work than letting them slip further away until no softer juvenile criminal code is there to protect them.
what ever "money extraction business" means - wero is a real thing people (me included) are already using and developed jointly by many european banks.
Old Dutch banks and their Belgian suckers, mostly. You can see a list on their website.
I am not deep into this, but I heard multiple times that the choice of the pan-european payment system was largely political and technnically suboptimal. Old Europe pushed for the aging iDEAL against a much more advanced Blink, so Eastern European banks led by Poland left the consortium.
In the end, iDEAL rebranded as Wero was dead on arrival because a successful system needs to be supported by everyone.
I have no idea what you are talking about. I have been using Wero for a while in France and it works just fine and is completely free.
It's basically instant bank transfer without any fee or limitation on how many you can do.
I think we need to look harder at the concept of survivor bias and what it doesn't mean for future chance if anyone believes Ukraine nuclear power stations suffering damage as routinely as any other physical asset would have been OK.
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