This is probably a niche topic on HN, but for those of us who play Visual Novels, VNDB is a massive resource for getting the setup right for older and obscure ones that require odd hardware or configurations. The early days of VNs were all on DOS/V and Sharpx68000 systems with quirky configurations. VNDB catalogs so many of them and things that are "Mostly" VNs for historical purposes.
Without it, we wouldn't have the modern wave of VNs that have become popular today (Hatoful Boyfriend, Doki Doki Literature Club, etc.) nor some of the offshoot genres that have become popular.
I must admit, this is one area I've found LLMs to be surprisingly strong. They're REALLY good at reverse engineering obscure platforms, languages, game engines; and quickly throwing together super hacky tooling.
I was able to reverse engineer the PS4 edition of "New Game!: The Challenge Stage", which was never released in English. I've now fully translated it, added proper text wrapping and additional text boxes where text would now overflow. Along the way I've fully decompiled (with byte exact recompilation) the Squirrel scripts for the entire game, built atop the game engine of a now largely defunct game studio. Prior to this I hadn't even heard of Squirrel scripting language. I had most of this done in under 24 hours.
I'm not in any way a part of the visual novel community. I just did this because I enjoyed the New Game! anime way more than a near(?) middle aged man probably ought to.
P.S. My condolences to Yorhel's friends and family.
Brings back memories of how I did much the same for the PSP spin-off VN of the GA Geijutsuka Art Design Class manga/anime (that, of course, also originated from Manga Time Kirara and also had a big focus on art), although those were pre-LLM times. It even used Squirrel scripts too!
I second the condolences, tremendous loss for the people who knew Yorhel, as well as for the VN and open source communities.
I think there is some community around branching browser text stories like (mostly) Twine games that have their own database somewhere?
And then there is always some overlap and discussions around what games to allow where, with each community gatekeeping to some degree what games are allowed in their database or not.
So, for example, I never heard about VNDB and never really crossed paths with VN players online, even if I have been around communities for IF and gamebooks since last century and the similarities are obvious.
>similar niche genres of games have managed to mostly ignore each other
That's only because they are only "similar" on the surface. It feels like saying "football, volleyball and basketball are similar" just because they are all team games played with a ball.
thank you for sharing this! I never heard the two website you mentioned while being very familiar with vndb. I guess there will be always another corner of the internet that you don't even know existed.
If you are curious, vndb has a guideline you can see about what can be added here:
https://vndb.org/d2
I think IF games tend to be more puzzle games with some story segments. Gamebooks are much closer, but still often have proto-RPG mechanics. (I remember tracking inventory and HP for the ones I played/read through). VNs are much closer to pure story, with some tracking of earlier decision flags for callbacks later in the story.
Some VNs have no real choices and could hardly be called games. Others are deeply branched.
By the 2010s many JRPGs such as the Hyperdimension Neptunia series and Danganronpa pretty much stole all the visual elements of visual novels and mashed them up with gameplay from other genres.
By now the term "visual novel" got re-imported back into Japan so even Japanese creators have started using it for what they otherwise call "novel games" and VN-like "adventure games".
This website is a remnant of something long gone: simple yet capable HTML websites that just work. I hope it will be preserved, or at least the database made public so it won’t get lost.
It is public, and more! There's even an interface allowing you to run your own queries directly against a synchronized copy: https://query.vndb.org/browse
It was directly a result of some of the choices made by Bell and plausibly Teletype.
Early switching computer systems that had user accounts at Bell also didn't echo back for passwords as some terminals were mixed-duplex, from what I've gleaned in the very odd corners of ESS systems. I suspect the idea is that the model they were working from were touchtone telephones and rotary phones, so numeric passcodes were the standard, and you heard & saw those already? Less noise on paper tapes? The possible list of options goes on and on.
Bell Labs was... Different than your average office or telco environment, I should add.
But that's a swag at best today, without knowing the people that worked on it.
> For example ReactOS won't let you contribute if you have ever seen Windows code. Because if you have never seen it, there can be no allegation that you copied it.
I've heard this called in some circles "The curse of knowledge." The same thing applies to emulator developers, especially N64 developers (and now Nintendo emulator developers in general) after the Oman Archive and later Gigaleaks. There's an informal "If you read this, you can NEVER directly contribute to the development of that emulator, ever."
This comes to a head when a relatively unknown developer starts contributing oddly specific patches to an emulator.
Ostensibly, a mix of VC funding and that they host an endpoint that lets them run the big (200+GB) models on their infrastructure rather than having to build machines with hundreds of gigs of llm-dedicated memory.
But on inference they have to compete with other inference provider that just has a homepage, a bunch of GPUs running vllm and none of the training cost. Their only real advantage are the performance optimizations that they might have implemented in their inference clusters and not made public
A friend of mine works AV at shows that have rotating DJs and one of the things she has on her mixer board is "The Suck Button."
It causes a mic at the other end of the room to get cut into the DJ's live feed monitor with a semitone shift down and some reverb. This causes all sorts of inner-ear chaos and usually clears a DJ off the stage when they're over time within a few minutes at most -- usually under 30 seconds. One time they were trying to figure out why it wasn't working and discovered that the DJ had muted their monitor feed, which explained why they were not only peaking the meters but over time: They hadn't heard the FOUR warnings from the back of house that it was time to wrap up.
There was a coffee shop ages ago in SF that would every few hours play a cacophony (e.g. multiple songs at once). I assume it was to drive away people camping on their laptops to rotate tables. Understand but super annoying to people like me who had a timer to but food or drink no less than hourly to be a good citizen
When this was first presented, I was watching this in a large dark hall with this on the projector and the sound level set to extremely loud. Like a fool, I sat through this to the end wondering whether it was going to ever end rather than recognising it as a glorious troll.
That's extremely annoying. I have a Bluetooth speaker that I was intending to repurpose into a device to combat inconsiderate smart phone usage. I connected it to my laptop and started playing multiple streams of Punjabi MC - Beware of the Boys. It was torturous.
My other idea was to get the line from dumb and dumber "Do you want to hear the most annoying sound in the world..." And just loop the sound continuously.
I might just try this project though and see how it goes.
We had a friend who would play Metal when the ice cream store he worked at was closed but the customers were lingering too long. It generally worked, as he was immune.
I introduced my local restaurant owner to Mongolian Techno and the late night bar flies and some of the kitchen staff have never forgiven me. He won't admit if he plays it for himself, or because of them :)
It's 3am and we're arguing some insipid minutae over technically illegal tequila shots while one drunk girl is breaking it down on the tiny dance floor :)
In Japan it's pretty much an institution that shops play an instrumental version of Hotaru no Hikari (which is basically Auld Lang Syne with different lyrics) when they're closing.
We did this where I bartended as well. Generally 15-20 minutes after serving the last drink of the night.
The goal wasn’t to offend or clear out 100% of the customers - just make a large enough portion decide that outside might be more comfortable/conducive than inside. The 20 or so customers who were fine with the cacophony were easy enough to wrangle manually, and also generally either people we knew well .
I was at a coffee shop once that was playing metal while my writing group was meeting there and I just thought they had excellent taste (it was not near closing time)
That reminds me of the "speech jammer", which won an Ignobel Prize last decade. It's an acoustic gun that combines a directional microphone and speaker array with a delay, tripping up the speaker.
Better Plex than plex for music built by people who know what they're doing that uses a common API among different servers and clients, including ones that glue to Sonos, etc.
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